RollingStone Top 100 Album Covers: 31 - 40

The album cover for "Ooh La La" features a playful and nostalgic image of a young boy holding a globe, capturing the innocence and charm of the music within. This artwork reflects the band's folk-rock and rock 'n' roll sensibilities.

The cover of "Tommy" showcases an intricate and surreal collage of imagery, offering a visual representation of the rock opera's complex and enigmatic storyline. It explores themes of enlightenment and sensory deprivation, providing a captivating visual companion to the music.

The cover of "Breakfast In America" is a satirical and witty depiction of a waitress in a New York City diner. This artwork embodies the album's exploration of American culture and commercialism, perfectly complementing Supertramp's progressive rock sound.

The cover of "Slave To The Rhythm" features a striking and artistic photograph of Grace Jones, reflecting her image as a bold and influential figure in the realms of music and fashion. This visual representation aligns with the album's blend of new wave and reggae, making it a powerful artistic statement.

One of the most iconic album covers in music history, "The Dark Side Of The Moon" features a simple yet profound prism design. This artwork beautifully mirrors the album's exploration of themes like mental health, time, and human existence, adding depth to the overall listening experience.

The self-titled debut album features an evocative photograph of the Hindenburg airship disaster, creating an eerie and powerful cover. This image mirrors the band's pioneering hard rock sound, adding a visual layer to the intense and groundbreaking music within.

The cover of "The Slider" is a stylish and playful design featuring a half-human, half-guitar figure. This artwork embodies the band's glam rock and artistic sensibilities, perfectly complementing the infectious rock anthems found throughout the album.

The cover of Peter Gabriel's third album features a stark and abstract self-portrait, reflecting the introspective and experimental nature of the music within. This artwork captures Gabriel's evolving identity as an artist, making it a visual representation of his artistic journey.

The cover of "London Calling" is a rebellious and punk-inspired photograph of Paul Simonon smashing his bass guitar on stage. This image symbolizes the album's raw energy and its iconic status in punk rock history, creating a visual representation of the rebellious spirit encapsulated in the music.

The cover of Elvis Presley's self-titled debut album is a classic image of the young, charismatic Elvis. This artwork perfectly captures the birth of rock 'n' roll and his electrifying stage presence, making it an iconic visual representation of the legendary artist's early years.